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The story began over a decade ago, when a former founder member of
Yazoo, The Assembly and "new romantic supremos" Depeche Mode placed an advert in
the music press. 21-year-old Andy Bell, a former professional mincer in a meat factory,
was the 41st person to audition as a prospective singer for Vince Clarke's new project.
Having hit it off straight away Clarke and Bell became Erasure. Despite a distinct lack of initial high-flying chart
action (earliest singles "Who Needs Love Like That" and "Heavenly
Action" reached the not-so-dizzy heights of numbers 55 and 100 respectively), Erasure
battled on, playing their first gigs at London's "Heaven" and
"Marquee" clubs. At the latter, the audience comprised of just two people, and a
support act in the shape
of Primal Scream. The critics described Erasure at this point as "Vince Clarke's
latest vehicle for instating the synth as a viable torture weapon". Little were these
doubters to know how long their torture was to last...
Third single "Oh L'Amour" was a huge
hit in France and Australia, though less huge in Britain - reaching number 85 in the
charts. Erasure went on to play their first UK tour - at clubs and colleges up and down
the country, with Andy dressed as a circus ringmaster, in rubber. Attendance was minimal
but the response was encouraging - after one gig the entire audience went backstage to
tell Vince and Andy how much they enjoyed it (all 18 of them). The press were now becoming
more encouraging, with "Sounds" commenting that "The combination of a
grumpy ex-futurist and an outrageously camp singer may not sound like a recipe for success
but, oddly enough, it's so ill-conceived, it's a masterstroke".
From 1987, Erasure started to infiltrate the Top
Ten, chalking up a series of hits - including "Sometimes", "Victim Of
Love", "Ship Of Fools", "Chains of Love" and "A Little
Respect" - over the next couple of years. Their albums were reaching consistently
higher placings and Erasure found themselves as mainstays at the top of the charts.
"The Innocents" was their first album to reach number 1, a spot to which they
returned after a full nine months in the charts following release. Their 1989 single
"Drama!" prompted one reviewer to comment that "Andy sounds like a warbling
prarie dog, although that doesn't detract from a triumphant recording". Possibly the
most triumphant part of this recording was that doom rockers Jim and William of The Jesus
and Mary Chain were persuaded to camp it up and provide backing vocals for the shouty bits
in the chorus.
By now Erasure were performing at venues of gargantuan
proportions. Vince and Andy donned silver space suits, while the stage set consisted of a
jungle with giant steaming plants. The duo's reputation for live shows of preposterous
dimensions was only to grow over the next few years. The size of their stage set was to
become a problem in Tokyo in 1990, however, when, whilst the duo were enjoying an innocent
pre-gig meal in a restaurant down the road, an earthquake caused the whole set to
collapse. True to form, of course, Vince remained motionless and apparently unconcerned
throughout the whole disruption. At the end of this, highly eventful, world tour, Erasure
played to an audience of 60000 at Milton Keynes Bowl, with Andy appearing as a devil with
an extra, dubiously located, horn. The stage set was now becoming ever more ridiculous
with the new addition of a giant inflatable snail, Ernie.
In 1991 Erasure released what was possibly their
most overtly pop gem yet, "Love To Hate You," followed by the more
brooding, "Am I Right?", after which the duo made
preparations for their most ambitious tour to date - 1992's "The Phantasmogorical
Entertainment". For this tour Andy entered riding on a swan and appeared variously as
a rhinestone cowboy (with bottom exposed to the elements) and as a map of the world. Set
changes were multiple and included The Wild West, a voyage by hot air balloon and a
night-club, amongst others. The show even included an Abba sequence (to compliment the
duo's highly successful "Abba-esque" EP). In this Vince took the
uncharacteristic step of emerging from behind his shield of synthesisers to join Andy in a
dance routine in which the duo dressed up as Frida and Agnetha. This is something Clarke
has vowed never to do again. Even the usually unshakeable Andy commented that it "all
went a bit haywire". 1993 was a quite time for Erasure, the duo taking a much needed
rest after the shenanigans of the two previous years.
The next year, however, the dynamic duo found
themselves at the top of the charts once more, with the album "I Say I Say I
Say", part of which was written in the tranquil surrounds of springtime Spain. The
single "Run To The Sun", prompted Smash Hits to describe Erasures music as
"sometimes a little too much like the theme music to Sonic The Hedgehog",
Vince's synth technique had finally been rumbled. The twosome then took a rather different
approach, going back into the studio to record their 1995, 70-minute art-rock concept
album, imaginatively entitle "Erasure". This darker, some might say more daring,
side to Erasure was to suprise more than just the duo's ever-increasing fan-base, showing
an aspect of Vince and Andy that many may not have thought existed. "The
Guardian" described the single "Stay With Me" as "more beautiful than
this world deserves". Fine praise indeed, although they went on to say: "Now
watch Andy Bell go and ruin it".
The next album "Cowboy" was released
at the end of March, 1997. The album was preceded by a single, "In My Arms".
They have also made their first tentative steps back onto the live circuit, with the (by
their standards) "Tiny Tour", a chance for
fans to enjoy the Erasure's greatest hits before they are able to
hear the duo's new work. Erasure planned setting out on a tour of
larger proportions after the album's release. And it did happen. In
1997 Erasure visited all the world continents with their "Cowboy
Concerts", including such exotic countries as Malaysia and
Singapore, Chile and Bolivia. The end of the year was marked with a
special concert in Manchester for the band fanclub members.
In 1998 - 2000 Erasure neither toured, nor recorded any new
material. The new album titled "Loveboat" was released in October
2000 only. Unfortunately, even though the critics were rather
positive about its content, it was a big flop. It went up to
number 45 in the British charts and became the least successful
album of Erasure since 1986. Vince Clarke said afterwards: "Loveboat
was too holey and therefore it sinked". The video for the first
single from this album played its role, too. Vince Clarke himself
directed the video for "Freedom" and his debut proved to be truly
unfortunate.
After the "Loveboat" flop the band went quiet for another 3 years
and it was enough to become forgotten by the world. Andy Bell
started recording his solo album and Vince Clarke participated in
some alternative projects. Rumours about the band breakup started
floating around...
However in the summer of 2002 Erasure announced that they had
just finished recording a new album. This time Andy and Vince were
going to release "Other People's Songs". The album did consist of
cover versions of other bands and singers, such as Righteous
Brothers, Buddy Holly, Elvis, etc. The first single from this album,
the cover of the hit single of 1977 "Solsbury Hill" originally
performed by Peter Gabriel, went straight to the Top Ten in Great
Britain, and the album went up to number 17. The band started its
first tour in the last 6 years visiting Great Britain, Germany,
Denmark and the USA. This time the stage was decorated in the style
of king Edward Age. Andy was wearing a big old female dress like a
real lady, with a high hat on his head and a veil.
In the autumn of 2003 Mute
Records, the record company of Erasure, decided to release the
"Hits! - The Very Best Of Erasure" album to introduce the youngsters
to the songs of the band. Andy and Vince, however, were not happy
about this release, they realized that Mute Records only wanted to
earn some money on their back catalogues. The only thing that
pleased both Erasure and a huge crowd of their fans was the release
of a long awaited DVD with all the band's videos. "It has it all,
says Vince. It's a history of how we were getting older and fatter".
The album went gold in Great Britain two months after its release
while Andy and Vince continued working on the new album.
The 14th album of Erasure,
"Nightbird", was fully ready for release in the spring of 2004,
however in May Andy Bell was taken to a hospital where he underwent
the surgery to replace a leg joint. In the meantime Vince Clarke
announced that he had married his girlfriend Tracy in New York. In
the autumn of 2004 there was another surgery for Andy Bell, this
time another leg, and the album release was postponed once again for
January 2005. Nevertheless, Mute Records granted another gift to the
fans and released the legendary DVD concert "The Tank, The Swan And
The Balloon Live!".
In the very end of 2004, on the
eve of the release of the first single from the new album
"Nightbird", Andy Bell made a shocking announcement about being HIV
positive for several last years. He assured that he was feeling just
fine and there was not a single reason to worry about his life. As
if trying to confirm it, the band immediately started a new tour
titled simply "The Erasure Show". The first single from this album,
"Breathe", went up to number 4 in Great Britain and became number 1
hit in Denmark and Israel marking the best result of Erasure for the
past 11 years. The song became number 1 in the club charts of
"Billboard", the band hadn't been this successful since 1987!
"The Erasure Show" was designed in the best traditions of
Erasure. The stage turned into a fairy forest, where, according to
Andy, "Elvis Presley could meet Marilyn Monroe". In one of the show
songs Vince was moving forward and singing the rap part in the
Blondie cover "Rapture". Soon after the tour was over the "Live in
Cologne" DVD was released.
As if compensating the lasting silence in the end of the 90s
- beginning of the 2000s, Andy and Vince became extremely active. In
their interviews of that period they said they were working on a
nursery rhymes album, and also that they have finished working on an
acoustic album. Besides, in the summer of 2005 Andy Bell announced
the release of his first solo album "Electric Blue", which saw the
light in October. The very same autumn welcomed the son of Vince -
his wife Tracy gave birth to a boy who was named Oscar. Having
completed a small promo tour to support the solo album and having
visited Russia for the first time, Andy Bell joined Vince once
again, and Erasure continued working together.
The band had another surprise
for the world releasing the "Union Street" album in April 2006; it
consisted of old songs rerecorded in the acoustic country-western
style! As Vince said, "the idea was to show that our songs were good
enough by themselves, not depending on the instruments used". For
the first time in 20 years of their career Erasure recorded an album
with live musicians playing various instruments. Not stopping on
that, Andy and Vince took another tour with live musicians around
Europe and the USA performing in the capital of country Nashville.
In the summer of 2006 when the
tour was over Erasure started recording a new album and announced
that it was going to be electronic and danceable to the maximum
extent. Since by that moment Vince had finally moved to America and
wasn't able to leave his family for a long time, together with
producer Gareth Jones Erasure rented a house in the quiet coast of
New England, USA, and did most of the album work there. The band
fans had a chance to watch the album creation process, since Gareth
Jones, the album producer, started a special blog dedicated to the
details of work of Andy and Vince.
The "Light At The End Of The
World" album was released in May 2007 and almost immediately the
band launched a special North American tour. Cyndi Lauper was the
tour organizer, besides her and Erasure the tour musicians included
Debbie Harry, bands The Dresden Dolls, The Gossip and a number of
other performers. Some of the concerts had special guests such as
Rufus Wainwright and Rosie O'Donnell. The
True Colors tour idea was the reservation
of the GLBT-community rights, and the concerts motto was "equality
for all".
After the tour was over, the
tireless Vince and Andy went for their own solo
tours having performed in the USA, Mexico, Puerto Rico, Dominican
Republic, UK, Denmark and Germany. As it always works with Erasure,
the
main stake was made on the flamboyance of the show. Giant crystals
were
hanging over the two-level sparkling stage, and special videos
prepared for
each song were projected on several plasma screens. Even though the
show
size could not compare to the tours of the past, the unique charisma
of Andy
Bell and his ability to present himself onstage worked quite well -
and
again the concerts were sold out completely. The tour pinnacle was
the
concert in the famous London "Royal Albert Hall" that has received
enthusiastic reviews of both critics and fans.
Having released in the autumn of
2007 a special mini-album containing a duo
with Cyndi Lauper and remixes for "Light At The End Of The World",
Andy and
Vince informed that they were going to have a break for a couple of
years in
order to rest properly and to take care of other projects. One of
such
projects of Vince was reincarnation of Yazoo - the duo where he
played
before Erasure.
Erasure. The history
continues...
Mute / Twilight 0.2 |
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